Musical history of the Early Renaissance

The notation of music revolutionized Philippe de Vitry, French composer and bishop, in his book “Ars Nova” – addressing mainly the notation’s length of notations and rhythms. Increasingly readable music and voice singing have made developing new genres easy: ballads, madrigals but especially motet. Motet is a complex work consisting of at least three voices, each of which sings separate text in diverse melodies (four were the usual afterwards) and web page frequently in different languages. The success of these genres is paradoxically connected to the epidemic of pestilence: It is thought: The courtyards were left alone, minstrels and website rogues halted walking and such beautifully tunes were appreciated. It is thought. (For example, one of these scenarios is seen in Pushkin’s Little Tragedies.)

Thanks to Guillaume Dufay, a leading composer and creator of the Dutch School during the 15th century, Renaissance music has not only been based on the synthesis of autonomous music, but also music. In many voices, web site the main musical means — canon and imitation — share the same melodic sound, all of which comprise of a core voice.

– a preset melody cantus firmus. The multipurpose writing technique was often used in the main European genre of this period, Mass.

As science of the composer – a counterpart (from the Latin Puntum contra Puntum, “pointed by”) – the talent of combining two or more melodic lines according to strict criteria of euphony (consonance) and dissonance is developed (dissonance).

Leave a Reply

Your email address will not be published. Required fields are marked *